The founder and lead architect of Penda China, Sun Dayong, has created a work called “Dream” which will be unveiled during the first Qingshan Public Art Festival in 2023. The work has taken form based on his adherence to green environmental values, a lifelong passion for design, and a belief that architecture should provide spatial and psychological comfort to its users – all of which has led to his philosophy that “Less is Love”. Through advocating works which express concern for people’s well-being and the environment in which they exist, he has created a series of recent projects which have been widely recognized by the architectural community and beyond.

The first Qingshan Public Art Festival brings contemporary art to rural Qingshan Village, under four curatorial sections comprised of “Public Art”, “Natural Theater”, “Live Sound”, and “Local Connection”. The different sections variously support the experiences of seeing, hearing, traveling, and learning, to build new connections between the public, art, and nature. Selected by curator Jiang Jian to be the first piece exhibited in the village, “Dream” effectively opened the festival, while simultaneously opening its “Local Connection” section as well.

Sun Dayong’s piece takes the natural environment and cultural landscape of Qingshan Village as a starting point, and aims to embody the various contemplative experiences envisioned by the festival. To quote the philosopher Kant: ” Two things fill the mind with ever new and increasing admiration and reverence – the starry heavens above me and the moral law within me.“

PHOTOS BY Xia Zhi

PHOTOS BY Xia Zhi

PHOTOS BY Xia Zhi

The dome of the sky is a cover, the wheat fields are woven mats, and the green hills are like tents in the distance: an expansive vista of ten thousand acres of fertile land and the tranquil atmosphere provide the setting for ”Dream”, a landscape installation inspired by the form of a pillow, providing visitors with an opportunity to interact and immerse themselves in an experience which bridges art and nature. Within the 15.6-square-kilometer rural area of the festival, various countryside settings such as lawns, bamboo forests, and reservoirs can be found in varying proximity to the installation.

“Dream” was designed to be placed in local fields: taking into account the operating range of construction equipment and the need to protect crops and the natural environment, the location of the work has been changed several times, and finally settled in several selected farmland sites. Adjacent to the road, away from any trees, wheat seedlings stretch into the distance, providing an immersive and intoxicating setting for the work, while also suggesting an atmosphere of calm relaxation.

The work appears in the form of a large spatial and metaphorical pillow, which seems to grow from the soil and provides a heightened experience of the space which it encompasses and is surrounded by. Whether immersed in conditions of clouds, rain, sun, or fog, it resonates with the sky and the earth, creating an appealingly human-scaled space with a visceral connection to the natural environment.

PHOTOS BY Xia Zhi

PHOTOS BY Xia Zhi

PHOTOS BY Xia Zhi

PHOTOS BY Xia Zhi

The detailed lace pattern of the “pillow” has been created through parametric design with welded metal, giving the work a gentle, fabric-like texture, which results in rich, constantly changing shadows under the shifting sunlight. When visitors enter the interior of the work and experience the difference from an external view, the changes bring an aesthetic quality to the structure’s atmosphere and suggest infinite views of the landscape.

In the evening, with the sky as quilt and the ground as bed, the pillow invites visitors to lie down, gaze at the stars, and listen to the wind, immersing themselves in the beauty of nature. The work offers a place of gentle sanctuary, encouraging visitors to feel a connection to nature through the body, and to bring one’s thoughts into a state of peaceful contemplation.

PHOTOS BY Xia Zhi